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The Free Voice: A Guide to Natural Singing-Cornelius L. Reid,George Shirley

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Ebook About
Great vocal teachers from the 16th century through the early 19th century discovered through trial and error how to properly develop the singing voice, and the term bel canto came to be applied to both the manner of singing and the vocal music of that period. But by 1858, according to Rossini, the term was already being misused and wrongly confused with fioriture. Well-schooled in the teaching of singing, Rossini more accurately describes bel canto as being composed of: the building of the instrument; technique, or the means of using the instrument; and style, of which the ingredients are taste and feeling.In this 50th anniversary edition of The Free Voice, renowned vocal pedagogue Cornelius L. Reid articulates the teaching principles of his own school of functional vocal training, grounded firmly in the old principles while remaining in line with a modern understanding of the physical value of the vocal instrument. The muscles that move the vocal folds and the vocal folds themselves are involuntary, and as such, the singing voice is not an instrument that can be manipulated directly. Reid's approach to singing is one of indirect control, stemming from an understanding of the vocal registers and how specific patterns of pitch, intensity, and vowel affect the vocal folds. Through the vocal exercises outlined in this book, and catered to each individual, a poorly coordinated musculature can be brought to efficiency. Only when the musculature of the vocal mechanism is well-balanced and coordinated can the voice be free, and the natural beauty and resonance of the individual voice come through without force.

Book The Free Voice: A Guide to Natural Singing Review :



This book povides concrete explanations of the function of the vocal mechanism, based on teachings that go back 200 years to Garcia. Reid's discussion of "functional freedom" and how (and how not) to attain it is invaluable to a singer or teacher who wishes to reach his or her full potential. In today's climate of casting young singers without regard for longevity or potential, I can't recommend this book highly enough. It reaffirms the importance of building a solid and thorough foundation, cultivated without thedistraction of needing to sound pretty each step of the way. As a singer who sounded pretty, but was completely without any understanding of technique, I struggled with an inconsistent and unpredictable "natural" voice. Having worked with a teacher from this same lineage (and studied for a time with Reid), who understands the basic principles in this book, and how to apply them, has completely transformed my voice. I sing with greater ease and infinitely more power, in addition to having developed a full 5th on the top of my range (I have switched from baritone to tenor rep). While applying the principles most effectively requires the ear of a teacher (one whose ear is trained to hear healthy function, not just pleasing tone!), this book is a tremendously useful tool for anyone who wishes to understand the inner workings of the process through which we sing.
Fantastic book for singers

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